RVAp I, 1/9, p. 7 | WF 157: Pesaro, Biblioteca Oliveriana, MS 295, p. 404. Drawing: red and black ink. Providence, Rhode Island School of Design 22.215, Apulian calyx krater attributed to the Painter of the Berlin Dancing Girl. Once in Brindisi in the collection of Pasquale Rossi, then in Naples, and later in London in the second collection of Sir William Hamilton, and then Deepdene in the collection of Sir Thomas Hope, and finally in the collection of Gustav Radeke. Courtesy of the Biblioteca Oliveriana.

RVAp I, 1/9, p. 7 | WF 157: Pesaro, Biblioteca Oliveriana, MS 295, p. 404. Drawing: red and black ink. Providence, Rhode Island School of Design 22.215, Apulian calyx krater attributed to the Painter of the Berlin Dancing Girl. Once in Brindisi in the collection of Pasquale Rossi, then in Naples, and later in London in the second collection of Sir William Hamilton, and then Deepdene in the collection of Sir Thomas Hope, and finally in the collection of Gustav Radeke. Courtesy of the Biblioteca Oliveriana.
Title
RVAp I, 1/9, p. 7 | WF 157: Pesaro, Biblioteca Oliveriana, MS 295, p. 404. Drawing: red and black ink. Providence, Rhode Island School of Design 22.215, Apulian calyx krater attributed to the Painter of the Berlin Dancing Girl. Once in Brindisi in the collection of Pasquale Rossi, then in Naples, and later in London in the second collection of Sir William Hamilton, and then Deepdene in the collection of Sir Thomas Hope, and finally in the collection of Gustav Radeke. Courtesy of the Biblioteca Oliveriana.
Maria Emilia Masci | Apulian and Lucanian Red-Figure Pottery in 18th Century Collections
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Part of RVAp I, 1/9, p. 7